cc-tapis Brand Guidelines
The collectible rug.
Aa
Two constants: an aubergine-and-orange palette and a collectible sans register. Abstract homage — not the cc-tapis rugs, pattern or packaging.
The collectible rug
cc-tapis makes rugs as collectible design.
cc-tapis is a lesson in the rug as collectible design. Founded in 2011 and based in Milan, it makes contemporary rugs that sit closer to collectible design than to floor covering.
Its identity is hand-knotted design rugs. cc-tapis rugs are hand-knotted on vertical looms in Nepal — using the traditional Tibetan knotting technique and Himalayan wool — with up to 232,000 knots per square metre, and shaped by a roster of some fifty contemporary designers (Patricia Urquiola, Faye Toogood, Bethan Laura Wood, Mae Engelgeer, Cristina Celestino, India Mahdavi). Craft knots, directed by contemporary design.
(Honest notes: the founders are widely reported (Fabrizio Cantoni and Nelcya Chamszadeh) but not named on the pages we reached, so we treat them as reported, and we call cc-tapis a privately held Milan design company rather than asserting independence. The rugs are hand-knotted in Nepal (with some handloom lines in India) — and “Tibetan” refers to the knotting technique, not the artisans, who are Nepalese, so we don’t write “Tibetan artisans.” We couldn’t confirm natural dyes, hand-spun wool or GoodWeave, so we don’t assert them, and point instead to its cc-for-education programme. There’s no official brand hex, and we reproduce no actual rug design — these tones are an unofficial interpretation. This is design commentary and does not promote any product.)
Colour
cc-tapis lives in an aubergine-and-orange palette. Click a swatch to copy the hex.
cc-tapis’ identity is contemporary, collectible and Italian — an aubergine, an ink, a burnt orange, a teal, and a chalk. The palette pairs an aubergine with an orange — the register of collectible contemporary rugs. It signals design and craft rather than novelty. The honest caveat: with no published brand hex, these tones are an original, unofficial interpretation, not first-party values.
The lesson is an aubergine with an orange signals a collectible-rug house. cc-tapis’ world is a hand-knotted rug that reads as art. For designers, it is a reminder that traditional knotting, directed by contemporary designers, can be a fully modern identity. Because a mid aubergine can fail as small text, keep type dark and let the colour live in the accents, palette and band. The takeaways: treat the rug as collectible design; commission the designers; honour the craft; and treat any single hex as unofficial.
Typography
The register is a collectible sans — contemporary, crafted, Italian.
cc-tapis’ identity carries a contemporary, crafted, Italian spirit — a collectible hand-knotted rug. An expressive contemporary sans captures the mood: it is confident and design-forward, the register of collectible design. Set in an aubergine-and-orange palette, the collectible sans feels contemporary and crafted — exactly the personality cc-tapis carries. It is designed rather than plain, mirroring collectible rugs. (cc-tapis’ real rugs, patterns and lowercase wordmark are works we describe but do not reproduce, and the exact typeface is not ours to use.) Because it is not ours to use, the honest description is “a collectible sans spirit,” shown here in a stand-in. The type behaves like the brand: contemporary, crafted and Italian.
Aa
A collectible sans spirit — contemporary and crafted. (Specimen set in Syne, an expressive contemporary sans STAND-IN; NOT the cc-tapis packaging.)
The rug as collectible design
cc-tapis stands for collectible hand-knotted rugs.
cc-tapis is a lesson in making collectibility the identity. An aubergine-and-orange palette, a collectible sans and a hand-knotted rug make collectible design the whole brand — contemporary, crafted, Italian. The design is the differentiator. The differentiator is traditional knotting directed by contemporary designers.
For designers and brand-builders, cc-tapis offers a clear takeaway: lift a craft into collectible design. The lessons: treat the rug as design; commission the designers; honour the craft; and be honest about the story. It is also a reminder to stay accurate: it’s a 2011 Milan design company, hand-knotted in Nepal (the Tibetan technique, Nepalese artisans), founders reported — and the palette here is an unofficial interpretation. cc-tapis made the rug collectible — proof that directed craft can be the difference.
Explore & save
Keep cc-tapis’s identity on hand — save it to a board in the Made Good inspiration library.
cc-tapis identity set
Pin the aubergine-and-orange palette and the collectible-sans register to your own board.



