Rejuvenation Brand Guidelines
A salvage shop in an old saloon, a Portland factory and a catalogue of period light fittings.
Aa
Two constants: an oiled bronze, opal glass, brass and craftsman green palette and a bookish transitional serif register. Abstract homage — not a Rejuvenation product or mark; no fixture, hardware or logo is reproduced.
Salvage, then reproduction
An old saloon in North Portland and a stock of fixtures waiting for repair.
Rejuvenation was founded in Portland, Oregon, in 1977 by Jim Kelly. When Williams-Sonoma, Inc. announced that it had acquired the company on 4 November 2011, its news release gave that founding year and said the business had begun with a passion for old houses and buildings. English Wikipedia, citing a profile by the Business Alliance for Local Living Economies, describes the start more concretely: Rejuvenation opened as an architectural salvage shop in a former saloon in North Portland, and when trade was slow Kelly restored vintage light fixtures to working order.
Those restored fixtures turned the business in a new direction. As demand grew, Wikipedia says, Kelly began manufacturing reproduction period lighting in a Portland factory and selling it across the United States through a mail-order catalogue. The company added a website in 1997. The Puget Sound Business Journal reported in March 2004 that Rejuvenation was opening a store in Seattle, and the Los Angeles Times home blog reported in October 2011 on a new Los Angeles store in the former Helms Bakery buildings. A Berkeley store followed in 2012, according to the San Francisco Chronicle’s SFGate site.
By 2011 the range covered lighting and what the company calls house parts. The Williams-Sonoma, Inc. release describes reproduction lighting alongside door and cabinet hardware, with lighting fixtures custom-configured and made to order, and with designs drawn from the 1870s to the 1960s. It lists the style families the company sold them under, among them Victorian, Arts & Crafts, Mid-Century Modern and Deco, next to plainer groupings that the release called Period Basics and Industrial. The same release described house parts as a category in their own right, the door and cabinet hardware that sits alongside a light fixture in an old house.
Colour
From an independent Portland company to a Williams-Sonoma brand.
Williams-Sonoma, Inc. has owned Rejuvenation since November 2011. The group’s release of 4 November 2011 announced the acquisition of Rejuvenation Inc. and set out its plan: to grow the brand using Williams-Sonoma’s direct-marketing and e-commerce capabilities, to expand its presence and to extend its product range. At the time, the release said, Rejuvenation sold through its catalogue, its website and retail stores in Portland, Seattle and Los Angeles. Kelly is quoted there saying that the deal would help build Rejuvenation into a national brand, and the release said that the company’s customers and employees had much to gain from it. The Oregonian and Oregon Public Broadcasting both reported the purchase as Portland business news that month.
Inside the group, Rejuvenation sits with the other Williams-Sonoma, Inc. home brands, including Pottery Barn and West Elm, as well as the Williams Sonoma cookware stores that gave the parent company its name. Its own brand page on the group’s corporate website still notes the 2011 acquisition.
The question of where Rejuvenation’s products are made has a documented answer for its core product. The Williams-Sonoma, Inc. corporate site says that the majority of its hardwired lighting products are made to order at its manufacturing facility in Portland, Oregon, and that the brand partners with American craftspeople and vendors whenever possible. English Wikipedia likewise says the company manufactures most of its lighting in Portland. The company statement covers hardwired lighting; the 2011 release had already described the fixtures as custom-configured and made to order.
Typography
Design and documentation.
Decorative lighting brands in the United States sit at several different points in the trade. Some began as workshops making fixtures by hand; some are design houses that draw a collection and have it made by factories and artisans elsewhere; some are retailers whose name appears on lamps they commission from others. A single name can be sold through a trade-only showroom, a design-district store, a catalogue and a website at once.
A lighting brand’s identity is usually carried less by one lamp than by a catalogue, a set of finishes, a showroom and the designers whose names appear beside its own. The company behind the name may have changed hands, taken in investors or moved where its fixtures are made since it started. That makes the questions behind each name worth asking plainly: who started it, who owns it now, and where its fixtures are actually made.
Each guide separates what independent sources record from what the company says about itself — its founding story, its owners over time, where its lamps are made and how it presents itself to the trade — and marks plainly what rests only on the company’s own word.
Aa
A bookish transitional serif with the tone of an old house-parts catalogue. (Specimen set in Libre Baskerville, a serif STAND-IN; NOT the Rejuvenation logo.)
Rejuvenation
A name about restoring things, and a catalogue organised by period.
The Rejuvenation name describes what the company first did. A salvage shop that brought old fixtures back to working order was, quite literally, rejuvenating them, and the name has stayed while the business moved from salvage to reproduction and then into a large retail group. It is a word about care for old houses rather than about novelty, and that matches the founding description in the 2011 release, a passion for old houses and buildings, which still describes a range of lighting and hardware sorted to suit houses of particular eras.
The second element of the identity is organisation by period. Rejuvenation’s catalogue was described in 2011 through style families tied to particular eras of American building, from Victorian through Arts & Crafts to Mid-Century Modern, with designs dated from the 1870s to the 1960s. The visual language that follows is one of reference: shades, finishes and hardware that belong to a recognisable decade.
The catalogue itself is part of the identity. Wikipedia’s account has Rejuvenation selling nationally by mail order long before it had a website or stores outside Portland, so for many customers the printed catalogue was the brand. The 2011 release still named the catalogue alongside the stores and the website as one of the ways the company sold.
The third element is place. Portland runs through the company’s history, from the North Portland saloon to the factory that the parent group still describes as the source of most of its hardwired lighting.
For a design guide, Rejuvenation shows how a company can turn a repair trade into a brand by naming the act of restoration and then sorting everything it sells by period. Compare Schoolhouse, another Portland lighting maker built on revived fixtures, and Pottery Barn, a sister brand in the Williams-Sonoma, Inc. group. For this guide we use oiled bronze, opal glass, brass and craftsman green with a transitional serif, an unofficial interpretation; no product or logo is reproduced.
Explore & save
Keep Rejuvenation’s identity on hand — save it to a board in the Made Good inspiration library.
Rejuvenation identity set
Pin the Rejuvenation oiled bronze, opal glass, brass and craftsman green palette and the transitional serif register to your own board.

