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Régime des Fleurs Brand Guidelines: Perfume as Art

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Brand Guidelines · Field Guide

Régime des Fleurs Brand Guidelines

Perfume as art.

FIG 1.0 — FLOWER-PUNK (HOMAGE)

FIG 1.1 — ARTFUL SERIF
Aa

Two constants: a colourful, artful palette and an artful serif spirit. Abstract homage — not the Régime des Fleurs wordmark or bottle.

Palette
Colourful, artful
Founded
c. 2014Los Angeles
Idea
Perfume as art
Feel
Flower-punk
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Perfume as art

Régime des Fleurs treats scent as art.

Régime des Fleurs is a lesson in perfume as an art practice. Founded around 2014 in Los Angeles by the creative duo Alia Raza and Ezra Woods (now New-York-based), it treats fragrance as art — poetic, allegorical scents that draw on early-1990s aesthetics, the opulence of the Ancien Régime and Versailles, and Classical mythology. Its signature Little Flower (a rose) was created with actress Chloë Sevigny; Turquoise and Nymphaea Caerulea are other cult names.

The design is artful, poetic and colourful — a maximalist-meets-refined, “flower-punk” aesthetic, with art-object presentation, playful bottles, candles and objets, and collaborations with artists and cultural figures.

(Honest notes: Régime des Fleurs is a genuinely independent niche house — no conglomerate owner — and is actively operating in 2026 (Alia Raza leads as CEO and nose). Its identity is deliberately multi-coloured and art-directed per project rather than a fixed brand style. No official brand hex is published.)

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Colour

Régime des Fleurs lives in colourful, artful tones. Click a swatch to copy the hex.

Régime des Fleurs’ identity is colourful, artful and poetic — a fuchsia, a marigold, a jade, a cream, and an ink. Rather than one house colour, it uses a colourful, artful, varied palette — bright, playful, art-object tones. It signals a creative, “perfume as art,” flower-punk world rather than restraint or heritage luxury. The honest caveat: with no published brand hex, these tones are an original, unofficial interpretation, not first-party values.

The lesson is colourful, artful tones signal a creative art-object brand. Régime des Fleurs’ world is an artist’s studio in bloom. For designers, it is a reminder that bright, varied, playful colour — the opposite of niche perfumery’s usual restraint — can position a brand as art rather than product. The takeaways: use bold, artful colour to signal creativity; let each project have its own palette; and treat any single hex as unofficial — using a deep fuchsia for small text so the brights stay artful.

Copy
Fuchsia
#D6297A
Copy
Marigold
#E8A82E
Copy
Jade
#2E9A7A
Copy
Cream
#F2ECE0
Copy
Ink
#2A2424
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Typography

The wordmark spirit is an artful serif — poetic and expressive.

Régime des Fleurs’ identity carries an artful, poetic, expressive spirit — colourful art-object packaging and allegorical names. A high-contrast, artful display serif captures the mood: it is expressive and refined-but-playful, the register of “perfume as art.” Set against colourful, artful tones, the display serif feels poetic and expressive — exactly the flower-punk personality Régime des Fleurs carries. It is expressive rather than restrained, mirroring an art-object sensibility. (Régime des Fleurs’ real wordmark and bottles are trademarks and trade dress we describe but do not reproduce, and the exact typeface is not published, so we don’t assert it.) Because the specific mark is not ours to use, the honest description is “an artful serif spirit,” not the Régime des Fleurs logo. The type behaves like the brand: artful, poetic and expressive.

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An artful serif spirit — poetic and expressive. (Specimen set in DM Serif Display, a high-contrast serif; NOT the Régime des Fleurs logo, which is a trademark.)

Artful serif · the wordmark spiritColourful, artful · the palettePerfume as art · the idea

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Art, not product

Régime des Fleurs stands for perfume as art.

Régime des Fleurs is a lesson in positioning a product as art. Poetic names, colourful art-object packaging, artist and celebrity collaborations and a maximalist “flower-punk” sensibility frame fragrance as a creative practice, not a commodity. The artfulness is the differentiator. The differentiator is a genuine, colourful art-object identity.

For designers and brand-builders, Régime des Fleurs offers a clear takeaway: colour and art-direction can reposition a category. The lessons: use bold, artful colour to stand apart from restraint; treat each product as an art object with its own palette; and collaborate with artists to reinforce the “art” framing. It is also a reminder to stay accurate: Régime des Fleurs is an independent, operating LA-born/NY-based house, and its identity is art-directed per project rather than a fixed style — with the palette here an unofficial interpretation. Régime des Fleurs made perfume art — proof that artfulness can be the difference.

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Explore & save

Keep Régime des Fleurs’s identity on hand — save it to a board in the Made Good inspiration library.

Régime des Fleurs identity set

Pin the colourful artful palette and the artful-serif spirit to your own board.

Core Palette
Homage
Aa
Artful serif
Wordmark spirit
Fuchsia
Gradient

♡ Save to a board

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Source & notes

Editorial reference. This article reports publicly documented facts about Régime des Fleurs’ visual identity; it is not affiliated with, or endorsed by, Régime des Fleurs. The Régime des Fleurs name, wordmark and bottles are trademarks and trade dress of their respective owners — the graphics here are original abstract homages (colour discs and swatches), not Régime des Fleurs assets, and no wordmark or bottle is reproduced. Facts reported from public sources (Régime des Fleurs official, Fragrantica, Into The Gloss, CaFleureBon): Régime des Fleurs was founded around 2014 in Los Angeles by the creative duo Alia Raza and Ezra Woods (now New-York-based), treating fragrance as art — poetic, allegorical scents drawing on early-1990s aesthetics, Ancien Régime/Versailles opulence and Classical mythology — with a signature Little Flower (a rose) created with actress Chloë Sevigny, and cult names such as Turquoise and Nymphaea Caerulea; its design is artful, poetic and colourful, a “flower-punk” art-object sensibility. Honest notes: Régime des Fleurs is an independent niche house (no conglomerate owner), actively operating in 2026 with Alia Raza as CEO and nose; its identity is deliberately multi-coloured and art-directed per project rather than a fixed brand style; and no official brand hex is published, so colours are an unofficial interpretation.