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Lacoste Brand Guidelines: The Crocodile

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Brand Guidelines · Field Guide

Lacoste Brand Guidelines

The tennis champion nicknamed ‘the Crocodile’ — and the little green reptile that put logos on the outside of our clothes.

FIG 1.0 — POLO SHIRT (HOMAGE)

FIG 1.1 — DEEP

An abstract pique polo shirt — the garment idea, not the croc. Deliberately not the Lacoste crocodile.

Crocodile
1927Robert George
Nickname
‘the Crocodile’René Lacoste
Company
1933& André Gillier
Green
#004526PMS 357 C
01

A logo born on a tennis court

Lacoste’s crocodile started as a champion’s nickname.

Lacoste’s emblem comes with one of sport’s best origin stories. In the 1920s, French tennis star René Lacoste was nicknamed “the Crocodile” — reportedly after a bet involving a crocodile-skin suitcase, and for his tenacious, never-let-go style on court. A friend, Robert George, drew him a little crocodile, and Lacoste had it embroidered on his tennis blazers. That drawing, from around 1927, became the logo. When Lacoste co-founded a clothing company a few years later, the crocodile came with it — a personal nickname turned into one of fashion’s most recognisable marks. Our homage nods instead to Lacoste’s real invention, the piqué polo shirt.

02

The logo that went outside

Lacoste helped invent the idea of a visible brand on clothing.

Here’s the crocodile’s quiet revolution: it’s often cited as one of the first brand logos worn on the outside of a garment. Before Lacoste, a maker’s label lived inside your clothes, hidden at the collar. Putting the little embroidered crocodile on the chest, for all to see, was a genuinely new idea — and it quietly created the entire modern convention of logo-as-status-symbol. Every polo player, every swoosh, every visible monogram that followed owes something to that green reptile. It transformed a logo from a mark of who made it into a mark of who wears it — a badge of taste and belonging. Few small design decisions have had such an outsized effect on how clothing works.

03

The shirt under the logo

René Lacoste didn’t just make a logo — he made the polo.

The crocodile is inseparable from a genuine product innovation. René Lacoste, tired of the stiff, long-sleeved shirts tennis players wore in the 1920s, designed a lightweight, breathable, short-sleeved shirt in a soft knitted cotton called piqué, with a flat collar and a longer back hem — the garment that became the modern polo shirt (the iconic “L.12.12”). He co-founded the company in 1933 with knitwear industrialist André Gillier to manufacture it. So Lacoste is that rare brand where the founder invented both the product category and the logo convention — the shirt everyone copies, worn with the badge everyone copied. The crocodile earns its fame honestly, sitting on a genuine piece of design history.

04

Green, and quietly premium

The crocodile’s colour and restraint carry the whole brand.

The Lacoste identity is built on that specific green crocodile and remarkable consistency. The mark has barely changed in style since the beginning, and the brand’s discipline is to let the small embroidered reptile do the work — a subtle badge rather than a shout. That understatement is the point: Lacoste sits in the “quiet luxury” tradition, where a tiny, well-earned symbol signals more than a giant logo ever could.

It’s a useful lesson in how a symbol accrues value. The crocodile means “Lacoste” not because it’s loud but because it has been applied the same way, in the same spirit, for nearly a century — on a garment that genuinely earned its place in sport and style. The brand’s job is to protect that consistency: keep the crocodile recognisably itself, keep it small and confident, and resist the urge to over-design. A champion’s nickname, a friend’s sketch, and a better shirt — combined and kept faithfully for decades — became a mark people are still happy to wear on their chest today. That’s the compounding power of a small symbol left alone to do its job.

Step back and the same principle emerges once more: a brand is strongest when every element pulls in one direction. Lacoste shows how a symbol, a palette, a name and a tone of voice can reinforce a single idea until the whole becomes far greater than any part. Coherence like that is never an accident; it is the result of countless small decisions to stay on-message rather than chase novelty. Get that alignment right, protect it patiently over time, and an identity stops being something a company merely owns and becomes something people recognise instinctively.

05

Type & the wordmark

A clean wordmark beside a small green reptile.

The Lacoste wordmark is a clean, upright set of capitals — understated, so the crocodile carries the identity. The specimen below stands in with a neutral sans.

Life is a beautiful sport

Even, upright, understated — type that yields the spotlight to a small green badge. (Specimen set in Archivo, a neutral stand-in.)

Symbol = the crocodile (George, 1927)Clean capital wordmark

06

Lacoste green

One specific tennis-court green. Click a swatch to copy the hex.

Lacoste’s signature is a deep green #004526 (Pantone 357 C), with white and black. It’s a consistently-cited value. Lead with the green below.

Copy
Lacoste Green
#004526
PMS 357 C
Copy
Bright Green
#0B7A4A
Copy
Light
#8FBBA4
Copy
White
#FFFFFF
07

Explore & save

Keep the crocodile story on hand — save the polo homage and the green to a board.

Lacoste identity set

Pin the polo-shirt homage, Lacoste green and the ‘logo-on-the-outside’ idea to your own board.

Piqué Polo
Homage
Aa
Wordmark
Understated
Lacoste Green
The palette

♥ Save to a board

08

Source & notes

Editorial reference. This article reports publicly documented history of Lacoste and is not affiliated with or endorsed by Lacoste. The Lacoste crocodile and wordmark are trademarks of their owner — the graphics here are deliberately not those (an abstract piqué polo shirt). The crocodile was drawn by Robert George ~1927 for tennis champion René Lacoste (nicknamed “the Crocodile”); the clothing company was co-founded in 1933 with André Gillier. Lacoste designed the piqué polo (the “L.12.12”), and the mark is often cited as one of the first logos worn on the outside of a garment. Green #004526 (PMS 357 C).