Feliciano Type Brand Guidelines
Lisbon editorial.
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Two constants: an editorial palette and an editorial serif register. Abstract homage — not the Feliciano wordmark or its typefaces.
Lisbon editorial
Feliciano Type is refined Portuguese type.
Feliciano Type is a lesson in refined, editorial type. Founded in 2001 by Mário Feliciano in Lisbon, the independent Portuguese foundry publishes his own designs and custom commissions — its flagship, the signage-inspired grotesque Flama, plus the book serif Rongel, the serif Eudald (named after the punchcutter Eudald Pradell), and Grotzec and Garda.
Its brand identity is refined, editorial and classically-rooted — a minimal, gallery-style presentation where specimens carry the page. Feliciano is a respected type designer with serious editorial credentials, having drawn custom newspaper type for Expresso, Spain’s El País (his “Majrit”) and Sweden’s Svenska Dagbladet.
(Honest notes: Mário Feliciano is Portuguese, not Spanish — though several faces have Spanish type-history roots — and is unrelated to the American baseball player of the same name. His early breakthrough, the Morgan family, has been withdrawn from the current catalogue, so we don’t list it as available. His fonts sell on MyFonts, but that’s distribution, not ownership. And there’s no official brand hex, so the tones here are an unofficial interpretation.)
Colour
Feliciano Type lives in an editorial palette. Click a swatch to copy the hex.
Feliciano Type’s identity is refined, editorial and Portuguese — an ink, an azulejo blue, a terracotta, a stone, and a paper. The palette pairs a serious ink base with an azulejo blue and a terracotta — a quiet nod to Lisbon’s tiles and warmth. It signals refinement, editorial heritage and craft rather than noise. The honest caveat: with no published brand hex, these tones are an original, unofficial interpretation, not first-party values.
The lesson is an editorial palette signals refinement and heritage. Feliciano Type’s world is a considered editorial page with a Portuguese warmth. For designers, it is a reminder that a refined palette — ink, a blue, a warm terracotta — reads as editorial and classically-rooted, right for a foundry built on newspaper and book type. The takeaways: anchor with a serious ink; add a considered blue and a warm accent; and treat any single hex as unofficial — using deep ink for small text so the palette stays editorial.
Typography
The register is an editorial serif — refined and classic.
Feliciano Type’s identity carries a refined, editorial, classic spirit — newspaper and book type at its heart. A refined editorial serif captures the mood: it is readable and considered, the register of a masthead and a well-set page. Set in an editorial palette, the serif feels refined and classic — exactly the personality Feliciano Type carries. It is considered rather than loud, mirroring an editorial specimen. (Feliciano Type’s real wordmark and its retail typefaces — Flama, Rongel and the rest — are commercial products and trademarks we name but do not reproduce or set text in; the exact brand typeface is not ours to use.) Because those faces are not ours to set, the honest description is “an editorial serif spirit,” shown here in a stand-in. The type behaves like the brand: refined, editorial and classic.
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An editorial serif spirit — refined and classic. (Specimen set in Lora, an editorial serif STAND-IN; NOT Feliciano Type’s wordmark or any Feliciano retail typeface, which are trademarks.)
Refinement as identity
Feliciano Type stands for editorial refinement.
Feliciano Type is a lesson in making refinement the identity. An editorial palette, a minimal presentation and a catalogue built on newspaper and book type make classic refinement the whole brand — considered, editorial, expert. The refinement is the differentiator. The differentiator is a refined, editorial, classically-rooted identity.
For designers and brand-builders, Feliciano Type offers a clear takeaway: editorial credibility can be a positioning. The lessons: keep the identity refined and minimal; let genuine editorial work (newspapers, books) carry the credibility; and use a considered palette. It is also a reminder to stay accurate: Feliciano is Portuguese, Morgan is withdrawn from the current catalogue, and the palette here is an unofficial interpretation. Feliciano Type made refinement the brand — proof that editorial craft can be the difference.
Explore & save
Keep Feliciano Type’s identity on hand — save it to a board in the Made Good inspiration library.
Feliciano Type identity set
Pin the editorial palette and the editorial-serif register to your own board.



