Upper Class Brand Guidelines
The Zurich jean.
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Two constants: a Zurich-indigo palette and a street-sans register. Abstract homage — not an Upper Class jean, stitch or mark.
The Zurich jean
Upper Class is the Zurich denim label with a graffiti-crew heritage that makes selvedge jeans from Japanese denim, cut and sewn in Portugal.
Upper Class is the round’s Swiss entry, and it comes from an unusual place: a graffiti crew. From Zurich, Upper Class makes selvedge and raw denim jeans — its focus since the mid-2010s — with a design language rooted in the crew’s subculture. Its answer to how a jean becomes a name is understatement and quality: don’t wave a flag, just use good cloth and make it well. A Swiss-designed jean, with a spray-can past and a Japanese-and-Portuguese make.
Its identity is the Zurich jean. Upper Class’ Japanese selvedge, its Portuguese make and its graffiti heritage are the work it is known for. A jean, designed in Zurich. A label that grew out of a crew.
(Honest notes, so the story stays precise. Upper Class began as a Zurich graffiti crew in the 1990s; as a clothing label it launched around 2010, and it refocused on high-quality denim by about 2014 — so we do not print a flat “founded 1990,” but describe the crew in the 90s, the label from 2010, the denim from 2014. Its owner and creative director is named on its own pages as Afshin “Le Bon” Etesamifar, and the original crew names appear there too; these are brand-stated and we attribute them, treating the people as living individuals described only from public facts. On where it is made — the crux of this round — the story is a clean, honest three-part one: designed in Zurich, its denim woven in Japan (its pages name Kaihara and Kuroki, both top Japanese selvedge mills — with some capsules using American denim, so fabric varies by run), and its jeans cut and sewn in Portugal with organic cotton. Switzerland is the design and HQ home, not the sewing floor; per-product mill and weight vary, so we do not fix a single mill to a single jean. Its name and marks are IP, described but never reproduced, and there is no official brand hex; these tones are an unofficial interpretation. This is design commentary and does not promote any product.)
Colour
Upper Class lives in a Zurich-indigo palette. Click a swatch to copy the hex.
Upper Class’ identity is understated, Swiss and quality-led — a Zurich indigo, an ink, a sky, a deep blue, and a paper. The palette leans Zurich indigo and sky: the register of Japanese selvedge and a quiet, quality-first label. It signals substance over flag-waving. The honest caveat: with no published brand hex, these values are an original, unofficial interpretation, not first-party colours.
The lesson is a Zurich-indigo palette signals an understated, quality-denim identity. Upper Class’ world is an understated, denim, Swiss object. For designers, it is a reminder that a clear indigo and a soft sky can carry a label built on cloth and make — the blue of Japanese selvedge and the neutral of a quiet, considered brand. Because these tones can fail as small text, keep type dark and let the colour live in the accents, palette and band. The takeaways: let quality speak; name the cloth and the make; be honest that the sewing is elsewhere; and treat any single hex as unofficial.
Typography
The register is a street sans — clean, confident, understated.
Upper Class’ identity carries a clean, confident, understated spirit — a quality-led label with a subculture past, not a heritage mill. A street sans captures the mood: even, modern and self-assured, the register of a brand that grew out of a crew but speaks quietly. Set in a Zurich-indigo palette, the street sans feels clean and confident — exactly the personality Upper Class carries. It is a quality jean with a graffiti lineage rather than a loud logo, mirroring a selvedge jean. (Upper Class’ real logo, its crew tags and any crown lettering are things we describe but do not reproduce, and the exact typeface is not ours to use.) Because it is not ours to use, the honest description is “a street-sans spirit,” shown here in a stand-in. The type behaves like the label: clean, confident and understated.
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A street-sans spirit — clean and understated. (Specimen set in Mulish, a street-sans STAND-IN; NOT the Upper Class logo, tag or crown.)
The jean around the world
Upper Class stands for the Swiss-designed jean of Japanese cloth and Portuguese make.
Upper Class is a lesson in how understatement and a clear make can be an identity. A Zurich-indigo palette, a street sans and a Japanese-selvedge jean make one thing — the Zurich jean — the whole identity: understated, Swiss and quality-led. The graffiti heritage is the differentiator, and the honest three-part make is the meaning. The point is a crew that became a quality label and refused to shout — letting the Japanese cloth and Portuguese make do the talking.
Put to work, the identity is quiet quality, honestly located, as design. A label in this spirit would design at home, name its mills and its make, and be candid that the sewing is elsewhere — designed in Zurich, denim woven in Japan (Kaihara, Kuroki), jeans sewn in Portugal. A brand learning from it would see that understated quality is a durable identity — that a jean whose maker names its Japanese cloth and Portuguese make earns a trust a flag-waving label cannot — and that being precise, a Zurich label with a 90s-crew past, denim woven in Japan, sewn in Portugal, keeps the story honest. Upper Class ties this round back to an earlier one: the Kaihara and Kuroki mills it names are the same Japanese looms that fed the makers in the mills round — a reminder that the Japanese loom still supplies much of the world, even as Sauce Zhan and THURS prove it is no longer the only one. There is discipline in the timeline, too: describing the crew as 90s, the label as 2010 and the denim as 2014, rather than collapsing them into one heroic founding date, is what keeps an origin story honest. The lesson Upper Class teaches is that understatement can hold an identity: the quality gives it substance, and the honesty about the Portuguese make keeps it credible. The restraint is the personality, and the well-made jean is the proof.
For designers and brand-builders, Upper Class holds the Switzerland pole in the jean around the world: let quality speak, and locate the make honestly. The lessons: design at home; name your mills; admit where the sewing is; keep the timeline precise; and never reproduce a logo, tag or crown. It is also a reminder to stay precise: Upper Class is the Zurich denim label with a graffiti-crew heritage that makes selvedge jeans from Japanese denim, cut and sewn in Portugal — with the palette here an unofficial interpretation. Upper Class made quiet quality the identity — proof that a jean, honestly located, can be the difference.
Explore & save
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Upper Class identity set
Pin the Zurich-indigo palette and the street-sans register to your own board.



