Silhouette America Brand Guidelines
A Japanese plotter maker’s craft brand, run from Utah.
Aa
Two constants: a cutter teal, coral and sheet-white palette and a geometric plotter sans register. Abstract homage — not a Silhouette product or mark; no machine, logo or packaging is reproduced.
Yokohama to Utah
A craft brand with an industrial parent.
Silhouette America is the consumer face of an industrial plotter maker. The footer of its own website names the business as Graphtec America Inc., doing business as Silhouette America, and lists its headquarters in Lindon, Utah. Graphtec America, in turn, describes itself on its website as a wholly owned subsidiary of Graphtec Corporation, based in Yokohama, Japan, and runs its own office and warehouse in Irvine, California.
The Japanese parent has a long engineering history. English Wikipedia records that Graphtec Corporation was formerly known as Watanabe Instruments, that it was established in 1949, and that it released its first plotter in 1961; Graphtec America’s website also gives 1949 as the year Graphtec was established. Graphtec’s product lines include professional vinyl cutters, label printers, scanners and data-recording instruments, Graphtec America says, and English Wikipedia lists cutting plotters among its products, including the Craft ROBO desktop cutters, and notes that Graphtec plotters use the company’s own command language, GP-GL (Graphtec Plotter Graphic Language), which is not compatible with Hewlett-Packard’s HP-GL. Graphtec America’s about page adds that Graphtec Corporation is a member of the AI Holding Group, listed on the Tokyo Stock Exchange.
The Silhouette name appears on the American web by 2010. A capture of silhouetteamerica.com held by the Internet Archive from August 2010 shows a simple page inviting visitors to the Silhouette Online Store, with a store locator and the line “Copyright © 2010 Silhouette America, Inc.”
The link with Japan still runs both ways. Graphtec Corporation’s own Japanese website lists Silhouette products in its navigation and points visitors to a Silhouette Japan web shop, so the brand is sold under the same name in its parent’s home market.
Colour
Machines, software and a design store.
The machines carry short, memorable names. Silhouette America’s current website lists the CAMEO family as its main cutters, now in the CAMEO 5α and CAMEO 5α Plus versions alongside the wide-format CAMEO Pro MK-II and the earlier CAMEO 4 Plus and CAMEO 4 Pro. The sizes are part of the naming: the company’s 2024 product menu gave the CAMEO 5 a 12-inch cutting width, the CAMEO 5 Plus a 14.6-inch width and the CAMEO 4 Pro a 24-inch width, each with 3 mm of blade clearance. The smaller Portrait, now in its fourth version, is a letter- or A4-sized roll-through cutter, and the Curio, now the Curio 2, is a flatbed machine with a twelve-by-twelve-inch workspace and 20 mm of clearance, according to the company’s archived 2024 product menu.
Around the cutters Silhouette has added other tools. Its website lists the Mint, a machine for designing and making custom stamps, and the CloChé heat press, and the 2024 version of the site also offered the Alta Plus 3D printer and automatic sheet feeders for the CAMEO and Portrait.
Software is the brand’s other half. The website lists Silhouette Studio, the desktop design program that drives the cutters, alongside Silhouette Connect, Silhouette Web, Silhouette Go, Mint Studio and Silhouette 3D. Silhouette also runs a Design Store of digital designs, and its 2024 about page counted the contributing Design Store artists among the company’s assets.
Silhouette and Cricut are often discussed together. The New York Times’ product-review site Wirecutter titled its guide to home cutting machines “The Best Electronic Cutting Machines From Cricut and Silhouette”, and both brands are based in Utah, Silhouette in Lindon and Cricut in South Jordan.
Typography
Design and documentation.
The brands in this group all make tools and supplies for paper crafts: cutting machines, steel and etched dies, embossing folders, stamps, inks and adhesives. Paper-craft and die-cutting brands in general sit at many different points in the trade, from family businesses that began at a kitchen table or a trade-show booth to names that now belong to larger craft or office groups, and a single brand can be sold everywhere from a specialist craft shop to a general-merchandise aisle.
A paper-craft brand’s identity is usually carried less by a single machine or die than by a name, a system of compatible parts and the projects it promises, because the company behind the name may have changed hands, moved its headquarters or its production, or grown far beyond the place where it started. That makes the questions behind each name worth asking plainly: who started it, who owns it now, and where its tools are actually made.
Each guide separates what independent sources record from what the company says about itself — its founding story, its owners over time, where its products are made and how its packaging and machines have changed — and marks plainly what rests only on the company’s own word.
Aa
A clean geometric sans — the register of a brand that grew out of precision plotters. (Specimen set in Jost, a sans STAND-IN; NOT the Silhouette logo.)
Silhouette
A creative brand built on a technical one.
Silhouette America describes its purpose in creative rather than technical language. Its 2024 about page said the company was “passionate about empowering creativity and helping individuals bring their artistic visions to life”, and described its range as crafting machines, design software and materials for “artists, makers, crafters, and DIY enthusiasts”. Under the heading “We love creativity”, it said that creativity was “at the heart of everything we strive to do”.
That voice sits on top of an engineering business. Graphtec America presents Graphtec as a maker of vinyl cutters for sign shops, colour label printers and data-acquisition systems, with engineering, manufacturing, distribution and service operations; Silhouette, under its own name, sells desktop cutting machines, a heat press and a stamp maker to crafters at home.
The brand’s identity is carried mostly by its product names and its software. CAMEO, Portrait, Curio and Mint are short words that work on a box, a screen and a machine’s lid, and the Silhouette Studio interface is where most users spend their time with the brand. The company does not publish colour codes or typeface names for its identity in the sources used for this guide, so the colours here are our own. The name is also shared with other businesses, including an Austrian eyewear brand, which is why this guide uses the full Silhouette America name.
For a design guide, Silhouette America shows how an industrial Japanese plotter maker built a separate, consumer-facing craft brand in the United States, with its own name, voice and software, while keeping its parent in the small print. Compare Cricut, its Utah neighbour in home cutting machines, and Fiskars, the Finnish maker of craft scissors. For this guide we use cutter teal, cut-paper coral and sheet white with a sans, an unofficial interpretation; no product or logo is reproduced.
Explore & save
Keep Silhouette America’s identity on hand — save it to a board in the Made Good inspiration library.
Silhouette America identity set
Pin the Silhouette America cutter teal, coral and sheet-white palette and the geometric plotter sans register to your own board.



