Talormade Brand Guidelines
Neon & doughnut pink.
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Two constants: a neon-pink-and-lilac palette and a fluid display register. Abstract homage — not the Talormade identity.
Neon & doughnut pink
Talormade turns Nordic coffee joyful, loud and pink.
Talormade is a lesson in joy as a position. Founded around 2019 by Talor Browne — an Australian who rose to head roaster at Tim Wendelboe and ran the cult “Fryd” doughnut pop-ups — it is an independent Oslo coffee roastery and doughnut brand (cafés from 2020), the colour-forward counterpoint to austere Nordic minimalism.
Its brand identity, by the Oslo studio Bielke & Yang, is built on “unabashed femininity, character and colour.” The palette starts with a pink drawn from the classic American doughnut box, joined by blue and green — loud and multi, a deliberate rejection of the neutral, kraft norm. The wordmark is intentionally fluid and malleable: reshaped per surface, scaling from small packaging up to large neon signs and glitter walls — adaptability itself is the mark. Its typefaces are Lÿno (Radim Peško) and Mabry (Colophon Foundry).
(Honest notes: don’t confuse Talormade with the defunct Talor & Jørgen — both were designed by Bielke & Yang, but differently (that earlier brand was illustration-led). Talormade dates to ~2019 (cafés 2020), not 2015. The studio is Bielke & Yang (we don’t name an individual); Værsågod built the website. And there’s no official brand hex, so the tones here are an unofficial interpretation.)
Colour
Talormade lives in a neon-pink-and-lilac palette. Click a swatch to copy the hex.
Talormade’s identity is loud, joyful and unabashed — an ink, a neon pink, a lilac, a lime, and a cream. The palette leads with a doughnut-box pink joined by lilac and lime — the register of femininity, character and colour set against Nordic restraint. It signals joy and confidence rather than austerity. The honest caveat: with no published brand hex, these tones are an original, unofficial interpretation, not first-party values.
The lesson is a doughnut-box pink signals joyful, unabashed character. Talormade’s world is a neon-lit, pink-forward café. For designers, it is a reminder that a loud pink with lilac and lime reads as joyful and confident — right for a brand that rejects the neutral norm. The takeaways: borrow a meaningful colour (the doughnut box); let the wordmark flex rather than fix; scale it to neon; and — because a neon pink fails as small text — keep type dark and let the pink shine in fields; treat any single hex as unofficial.
Typography
The register is a fluid display — joyful, characterful, adaptable.
Talormade’s identity carries a joyful, characterful, adaptable spirit — neon, pink and a wordmark that won’t sit still. A fluid display face captures the mood: it is expressive and playful, the register of a brand that reshapes per surface. Set in a neon-pink-and-lilac palette, the fluid display feels joyful and characterful — exactly the personality Talormade carries. It is adaptable rather than fixed, mirroring a malleable wordmark scaling up to neon. (Talormade’s real identity and Bielke & Yang’s work are described but not reproduced, and the exact typefaces — Lÿno and Mabry — are not ours to use.) Because they are not ours to use, the honest description is “a fluid display spirit,” shown here in a stand-in. The type behaves like the brand: joyful, characterful and adaptable.
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A fluid display spirit — joyful and adaptable. (Specimen set in Grandstander, a fluid display STAND-IN; NOT the Talormade wordmark, which uses Lÿno and Mabry.)
Colour as identity
Talormade stands for joyful colour against Nordic restraint.
Talormade is a lesson in making joyful colour the identity. A neon-pink-and-lilac palette, a fluid display and a malleable wordmark make character the whole brand — loud, joyful, unmistakable. The colour is the differentiator. The differentiator is a neon, doughnut-pink, unabashedly-feminine identity.
For designers and brand-builders, Talormade offers a clear takeaway: a flexible mark can out-charm a fixed one. The lessons: reject the category default with loud, meaningful colour (the doughnut-box pink); let the wordmark flex and scale to neon; and commit to character over restraint. It is also a reminder to stay accurate: it dates to ~2019 (not 2015), the studio is Bielke & Yang, and the palette here is an unofficial interpretation. Talormade made joyful colour the brand — proof that character can be the difference.
Explore & save
Keep Talormade’s identity on hand — save it to a board in the Made Good inspiration library.
Talormade identity set
Pin the neon-pink-and-lilac palette and the fluid-display register to your own board.



