Mourne Textiles Brand Guidelines
The woven wool.
Aa
Two constants: a moss-and-tan palette and a weaverly serif register. Abstract homage — not the Mourne Textiles weaves, the Mourne Check or packaging.
The woven wool
Mourne Textiles weaves the mid-century modernist cloth.
Mourne Textiles is a lesson in a weave as heritage. Founded around 1949 by Gerd Hay-Edie — a Norwegian-born weaver — in the foothills of the Mourne Mountains, County Down, Northern Ireland, it became one of the great mid-century modernist weaving names.
Its identity is woven wool textiles. Mourne makes throws, blankets, cushions, scarves, rugs and upholstery in textured wool (with cotton and linen), on a modernist heritage that once put its cloth in the Festival of Britain and, by the company’s account, won a Silver Medal at the 1951 Milan Triennale with rugs made with Robin Day. Its signature Mourne Check still runs today, woven in Northern Ireland. Texture, woven with intent.
(Honest notes: the founder, Gerd Hay-Edie, was Norwegian-born — the Irishness is the place, not the founder; the founding year is inconsistent on the brand’s own site (1947/1949/1954), so we say “around 1949.” It is run into a third generation (Gerd → daughter Karen → grandson Mario Sierra) and remains active, with a new “Mourne Weavers” mill from 2019 — though it now weaves on vintage power looms, so we describe today’s output as woven on traditional looms rather than purely handwoven. The Robin Day / Festival of Britain / Milan Triennale credits are the brand’s own account. There’s no official brand hex, and we reproduce no actual weave or the Mourne Check — these tones are an unofficial interpretation. This is design commentary and does not promote any product.)
Colour
Mourne Textiles lives in a moss-and-tan palette. Click a swatch to copy the hex.
Mourne Textiles’ identity is textured, natural and modernist — a moss, an ink, a tan, a sage grey, and a chalk. The palette pairs a moss with a tan — the register of a mountain wool weaver. It signals texture and craft rather than novelty. The honest caveat: with no published brand hex, these tones are an original, unofficial interpretation, not first-party values.
The lesson is a moss with a tan signals a woven-wool house. Mourne’s world is a textured, mid-century cloth. For designers, it is a reminder that a distinctive weave and a modernist heritage can be a whole identity. Because a mid moss can fail as small text, keep type dark and let the colour live in the accents, palette and band. The takeaways: own a weave (the check); honour the heritage; keep the texture; and treat any single hex as unofficial.
Typography
The register is a weaverly serif — textured, natural, modernist.
Mourne Textiles’ identity carries a textured, natural, modernist spirit — a woven wool cloth. A classic old-style serif captures the mood: it is grounded and characterful, the register of mid-century craft. Set in a moss-and-tan palette, the weaverly serif feels textured and natural — exactly the personality Mourne carries. It is heritage rather than trendy, mirroring woven wool. (Mourne’s real weaves, the Mourne Check and wordmark are works we describe but do not reproduce, and the exact typeface is not ours to use.) Because it is not ours to use, the honest description is “a weaverly serif spirit,” shown here in a stand-in. The type behaves like the brand: textured, natural and modernist.
Aa
A weaverly serif spirit — textured and natural. (Specimen set in EB Garamond, a classic old-style serif STAND-IN; NOT the Mourne Textiles packaging.)
A weave as heritage
Mourne Textiles stands for woven-wool textiles.
Mourne Textiles is a lesson in making a weave the identity. A moss-and-tan palette, a weaverly serif and a textured cloth make woven wool the whole brand — textured, natural, modernist. The weave is the differentiator. The differentiator is a distinctive check and a mid-century modernist heritage.
For designers and brand-builders, Mourne offers a clear takeaway: own a weave and its history. The lessons: own a check; honour the heritage; keep the texture; and be honest about the story. It is also a reminder to stay accurate: its founder was Norwegian-born, the founding year is “around 1949,” it now weaves on vintage power looms, and the palette here is an unofficial interpretation. Mourne made a weave the brand — proof that texture and heritage can be the difference.
Explore & save
Keep Mourne Textiles’s identity on hand — save it to a board in the Made Good inspiration library.
Mourne Textiles identity set
Pin the moss-and-tan palette and the weaverly-serif register to your own board.



